Pixelating Holiness   (2017)

A West Virginian Russian Orthodox priest, Father Jonah Campbell, manufactures religious icons using contemporary digital technologies. Observational scenes documenting Cambell's production process, are juxtaposed with interviews exploring current controversies surrounding these digitally-produced icons, particularly the suggestion that these icons are less holy than hand-painted works. Through this case study, the film looks at the relationship between religious art and divinity as it is transformed through digital technologies, while also suggesting the importance of entrepreneurial enterprises to a changing Christianity.

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'Pixelating Holiness' premiered at the 2017 Margaret Mead Film Festival, and is distributed through Documentary Educational Resources.